{"id":215,"date":"2022-03-21T10:58:45","date_gmt":"2022-03-21T10:58:45","guid":{"rendered":"https:\/\/neu.peter-weber-faltungen.de\/?page_id=215"},"modified":"2022-06-03T13:41:41","modified_gmt":"2022-06-03T13:41:41","slug":"bibliografie","status":"publish","type":"page","link":"https:\/\/www.peter-weber-faltungen.de\/en\/bibliografie\/","title":{"rendered":"Bibliography"},"content":{"rendered":"<div class=\"wp-block-columns is-not-stacked-on-mobile sticky pb-32 is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\"><a href=\"#2000\">1990 &#8211; 2000<\/a><\/h5>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\"><a href=\"#2010\">2000 &#8211; 2010<\/a><\/h5>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\"><a href=\"#2020\">2010 &#8211; 2020<\/a><\/h5>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\"><a href=\"#heute\">2020 - today<\/a><\/h5>\n<\/div>\n<\/div>\n\n\n\n\n\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:35%\">\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.peter-weber-faltungen.de\/en\/bibliografie_zeitstrahl\/peter-weber-struktur-und-faltung\/\"><img loading=\"lazy\" decoding=\"async\" width=\"547\" height=\"533\" src=\"https:\/\/www.peter-weber-faltungen.de\/wp-content\/uploads\/2022\/03\/2022-03-21-11_14_32-Peter-Weber_-Volume-1_-Structure-and-Folding.-Volume-2_-Catalogue-Raisonne-1968-.jpg\" alt=\"\" class=\"wp-image-195\" srcset=\"https:\/\/www.peter-weber-faltungen.de\/wp-content\/uploads\/2022\/03\/2022-03-21-11_14_32-Peter-Weber_-Volume-1_-Structure-and-Folding.-Volume-2_-Catalogue-Raisonne-1968-.jpg 547w, https:\/\/www.peter-weber-faltungen.de\/wp-content\/uploads\/2022\/03\/2022-03-21-11_14_32-Peter-Weber_-Volume-1_-Structure-and-Folding.-Volume-2_-Catalogue-Raisonne-1968--300x292.jpg 300w\" sizes=\"auto, (max-width: 547px) 100vw, 547px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column biografie is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:65%\">\n<a id=\"heute\"><\/a>\n\n\n\n<h2 class=\"wp-block-heading\">2022<\/h2>\n\n\n\n<p class=\"translation-block\">exhibition catalog <strong>\"Peter Weber. Structure and Change\u201c<\/strong>, Museum Ritter, Waldenbuch, DE<\/p>\n\n\n\n<p class=\"translation-block\">exhibition catalog <strong>\"Raumfaltungen\u201c<\/strong>, Kunstmuseum Bayreuth, Bayreuth, DE<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2021<\/h2>\n\n\n\n<p>Prof. Shiro Yamauchi, <strong>&quot;Think Without Understanding&quot;<\/strong>, Bungeishunju Publishing House, October 2021, Tokyo, JP<\/p>\n\n\n\n<a id=\"2020\"><\/a>\n\n\n\n<h2 class=\"wp-block-heading\">2020<\/h2>\n\n\n\n<p class=\"translation-block\"><strong>\"Die Kraft der Einfachheit\u201c<\/strong>, PEMA, Weissenstadt, DE<br>Prof. Dr. Klaus Peter Dencker, \"<strong>\u00dcber Vieles<\/strong>\u201c, Verlag der Provinz, Weitra, AT<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">2019<\/h2>\n\n\n\n<p>Prof. Dr. Klaus Peter Denker, <strong>&quot;Peter Weber&#039;s artworks in motion&quot;<\/strong>, in: Maximilian and Agathe Weishaupt (eds.), Peter Weber. structure and folding. Catalog raisonn\u00e9 1968 \u2013 2018, 2 vols., Hirmer Verlag, Munich, DE<br><br>dr Gerda Ridler, <strong>\u201cIt is only in limitation that the master shows himself\u201d<\/strong>, \u201cOn the Infallible in Folding. Peter Weber in Conversation with Gerda Ridler\u201d and \u201cFootprints \u2013 Peter Weber and Music\u201d, in: Maximilian and Agathe Weishaupt (eds.), Peter Weber. structure and folding. Catalog raisonn\u00e9 1968 \u2013 2018, 2 vols., Hirmer Verlag, Munich, DE<br><br>dr Simone Schimpf, <strong>\u201cReliefs and Objects of the Early Years\u201d, \u201cPainting of the Early Years\u201d, \u201cFoldings\u201d, \u201cSculptures and Reliefs\u201d and \u201cCooperations with Artist Colleagues\u201d<\/strong>, in: Maximilian and Agathe Weishaupt (eds.), Peter Weber. structure and folding. Catalog raisonn\u00e9 1968-2018, 2 vols., Hirmer Verlag, Munich, DE<br><br>dr Marlene Lauter, <strong>&quot;Always keep the work process open&quot;<\/strong>, in: cat. exhib. Peter Weber. Structure and Folding, Gallery Renate Bender, Munich, DE<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2018<\/h2>\n\n\n\n<p>dr Marlene Lauter, in: cat. exhib. <strong>&quot;Labyrinth Concrete&quot;<\/strong>, Museum in the Kulturspeicher, W\u00fcrzburg, DE<br><br><strong>&quot;A square is a square is a square&quot;<\/strong>, publication Museum Ritter, Waldenbuch, DE Dr. Gerda Ridler, \u201cImaginary and Real. On the work of Peter Weber\u201d; Prof. Eugen Gomringer, opening speech of the exhibition \u201cFaltwandlungen\u201d in the Dietgard Wosimsky gallery, Giessen, March 17, 2000, in: Kulturstiftung Annelies and Gerhard Derriks (ed.), cat. exhib. Peter Weber. Surface - Space - Convolution. Retrospective for the 75th birthday, KUNST-HAUS F\u00fcrstenfeldbruck, F\u00fcrstenfeldbruck, DE and Foundation for Conceptual Art with Schroth Collection, Museum Wilhelm Morgner, Soest, DE<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2016<\/h2>\n\n\n\n<p>Professor Klaus Honnef, <strong>&quot;The Beauty of Evidence.<br>On the artistic works of Peter Weber and Martin Willing\u201d<\/strong><br>in: cat. exhib. \u201cWholeness as a principle. Swinging sculptures and folding objects\u201d, with Martin Willing, Galerie Renate Bender, Munich, DE<br><br>cat. <strong>&quot;Fifty Shades of Red&quot;<\/strong>, Gallery Renate Bender, Munich, DE<br><br>Lyssa C. Stapleton, in: Cat. THE BOX PROJECT, The Cotsen Occasional Press, Los Angeles, CA, USA<br><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2015<\/h2>\n\n\n\n<p>dr Simone Schimpf, in: cat. exhib. <strong>&quot;Black on white&quot;<\/strong>, Highlights from the Maximilian and Agathe Weishaupt Collection, Foundation for Concrete Art and Design, Ingolstadt, DE<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2014\/2015<\/h2>\n\n\n\n<p>Peter Weber, in: Cat. Exh. &quot;The Art of Folding - Showing a buckling or an edge&quot;, Museum for Concrete Art and Design, Ingolstadt, DE and Kunstraum Alexander B\u00fcrkle, Freiburg, DE<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2014<\/h2>\n\n\n\n<p>Ralf Michael Seele, &quot;Wholeness as a Principle&quot;, in: Cat. Exhib. &quot;Wholeness as a principle&quot;, with Martin Willing, St\u00e4dtische Galerie ada Meiningen, Meiningen, DE<\/p>\n\n\n\n<p>&quot;Peter Weber&quot;, in: cat. exhib. &quot;KNOWS. Aspects of a Color in Modernity and the Present\u201c, Museum im Kulturspeicher W\u00fcrzburg, W\u00fcrzburg, DE<\/p>\n\n\n\n<p>cat. &quot;Fascination Color&quot;, Gallery Renate Bender, Munich in the KUNSTHAUS F\u00fcrstenfeldbruck, DE<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2012<\/h2>\n\n\n\n<p>dr Gerda Ridler, &quot;The whole is greater than the sum of its parts&quot;, in: Cat. Exhib. &quot;Faltwelten&quot;, 2012, Galerie Renate Bender, Munich, DE and in: Cat. Exhib. &quot;Wholeness as a Principle&quot;, 2014, with Martin Willing, St\u00e4dtische Galerie ada Meiningen, Meiningen, DE<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2011<\/h2>\n\n\n\n<p>\u201cThe infallibility of folding. Structure and networking\u201d, publication of the lecture by Peter Weber in the Annelies and Gerhard Derriks cultural foundation, F\u00fcrstenfeldbruck, DE<\/p>\n\n\n\n<p>dr Marc Hauser, &quot;Ratio and Animus&quot;, in: Cat. Exhib. Hauser Hoffmann Art, Thayngen, CH<\/p>\n\n\n\n<p>Christine Wetzlinger-Grundnig, &quot;Peter Weber&quot;, in: Cat. Exhib. &quot;Strictly geometric&quot;, Museum of Modern Art Carinthia, Klagenfurt, AT<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<a id=\"2010\"><\/a>\n\n\n\n<h2 class=\"wp-block-heading\">2010<\/h2>\n\n\n\n<p>Hans Joachim M\u00fcller, &quot;Color Space Structure&quot;, in: Cat. Exhib. Braunbehrens Gallery, Munich, DE<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2009<\/h2>\n\n\n\n<p>R\u00fcdiger Heise, &quot;Experiences with the Edge&quot;, in: Cat. Exhib. &quot;Peter Weber on his 65th birthday&quot;, Gallery Renate Bender, Munich, DE<br><br>Mag. Carl Aigner, &quot;Folding Architectures of Paper&quot;, in: Cat. Exhib. &quot;Peter Weber - Folding Architectures of Paper&quot;, Austrian Papermaking Museum Laakirchen-Steyrerm\u00fchl, AT<br><br>Ralf Christofori, &quot;Networking FRT6&quot;, in: Cat. Exhib. &quot;Homage to the Square, Works from the Marli Hoppe-Ritter Collection 1915-2009&quot;, Museum Ritter, Waldenbuch, DE<br><br>Sandra Kraemer, &quot;Aspects of Constructive-Concrete Art in Germany&quot;, in: Cat. Exhib. &quot;ReConna\u00eetre&quot; Paksi K\u00e9pt\u00e1r, Paks, HU<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2008<\/h2>\n\n\n\n<p>Peter Weber, &quot;How do I hear the light?&quot;, in: The Light and the Dark in Concrete Art. 12th publication series for the 15th colloquium of the Forum Konkrete Kunst Erfurt, Erfurt, DE <br><br>dr Barbara Willert, in: Cat. Exh. &quot;Image exchange 3rd reinterpretation of the Marli Hoppe-Ritter collection&quot;, Museum Ritter, Waldenbuch, DE<br><br>Peter Weber, in: Cat. Exh. &quot;Exemplification is art&quot;, Saarbr\u00fccken, DE<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2006<\/h2>\n\n\n\n<p>dr Juliane Bardt, &quot;Art from Paper&quot; - On the Iconography of a Plastic Material of Contemporary Art. Georg Olms Verlag, Hindesheim, DE \/ Zurich, CH \/ New York, USA<\/p>\n\n\n\n<p>dr Juliane Bardt, &quot;Art from Paper&quot; - On the Iconography of a Plastic Material of Contemporary Art. Georg Olms Verlag, Hindesheim, DE \/ Zurich, CH \/ New York, USA<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2005<\/h2>\n\n\n\n<p>Elisabeth Claus, &quot;Peter Weber&#039;s Paper Objects&quot; Elisabeth Grossmann, &quot;Peter Weber&quot;<br><br>Susann Kosa, &quot;Folding as a means of constructive design in the works of Peter Weber&quot; Dr. Tobias Hoffmann, &quot;Embodied Surface&quot;<br><br>dr Uwe Haupenthal, &quot;Structural folds between surface and space - comments on Peter Weber&#039;s constructive-plastic image concept&quot;<br><br>in: cat. exhib. &quot;Peter Weber - Embodied Surface&quot; in the Museum for Concrete Art Ingolstadt, in the New Art Association Aschaffenburg, DE<br><br>in the Museum Micus, Jes\u00fas, Ibiza, ES and in the Richard Haizmann Museum Nieb\u00fcll, DE <br>dr Phil. Ingrid Adler, &quot;Concrete Art Permanent Exhibition in the Austria Center Vienna&quot;, Lech<br>Lechowicz, &quot;Diverse attitudes - motivational communities&quot;, in: Cat. Exhib. MOTIVA: International - Constructive - Concrete - Intelligible, Austria Center Vienna, Vienna, AT<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2004<\/h2>\n\n\n\n<p>dr Tobias Hoffmann, &quot;Networks and Fragments&quot; in: Cat. Exhib. Gallery Renate Bender, Munich, DE<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2003<\/h2>\n\n\n\n<p>dr Uwe Haupenthal, &quot;Northern Art - Schleswig-Holstein in the 20th Century&quot;, Wachholtz Verlag, Neum\u00fcnster, DE<br><br>Renate Oesingmann, in: Cat. Exhib. Artist flags 1997-2003, small gallery, Ilmenau, DE<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2002\/03<\/h2>\n\n\n\n<p>Hans J\u00fcrgen Schwalm, &quot;Geometric - Concrete IV&quot;,<br>in: cat. exhib. Gallery Kunen and Mondriaanhuis, Amersfoort, NL<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">2001<\/h2>\n\n\n\n<p>Prof. Eugen Gomringer, in: Cat. Exhib. &quot;papier-kunst 4&quot;, Neuer Kunstverein Aschaffenburg, DE Series of publications Logic + Poetry, Forum Concrete Art, Erfurt, DE<br><br>Prof. Dr. Klaus Peter Dencker and Eugen Gomringer, in: Cat. Exhib. NOTHING TO BELIEVE, Museum Modern Art, H\u00fcnfeld, DE<br><br>Knut Nievers, \u201cArtistic Partnerships\u201d, in: Cat. Exhib. &quot;simultaneously - stop and go&quot;, Stadtgalerie, Kiel, DE<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<a id=\"2000\"><\/a>\n\n\n\n<h2 class=\"wp-block-heading\">1998<\/h2>\n\n\n\n<p>dr Marina von Assel, &quot;Folding transformations - a paradoxical world of surface and space&quot;,<br>in: cat. exhib. &quot;Folding transformations - Rhythm according to the rules of art&quot;, Brunsb\u00fcttel, DE<br><br>Prof. Dr. Klaus Peter Dencker, &quot;Wrinkles of the Body - Wrinkles of the Mind&quot;<br><br>Bettina Textor, &quot;Concrete Art and Music&quot;, &quot;How, do I hear the light?&quot; Peter Assmann, &quot;Material - Concept - Construct&quot;<br>in cat. for the symposium of the same name Landesgalerie Ober\u00f6sterreich, Linz, AT<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">1992<\/h2>\n\n\n\n<p>dr Horst Otto M\u00fcller, &quot;Folding verso folding&quot;, leaflet, Haus Ratschow, Rostock, DE <br>Gabriele Weing\u00e4rtner, &quot;Beauty as arithmetic&quot; in: Cat. Exhib. art club<br>Bad Durkheim, DE<\/p>\n\n\n\n<p><br><br><br><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>1990 &#8211; 2000 2000 &#8211; 2010 2010 &#8211; 2020 2020 &#8211; heute 2022 Kat. Ausst. \u201ePeter Weber. Struktur und Wandel\u201c, Museum Ritter, Waldenbuch, DE Kat. Ausst. \u201eRaumfaltungen\u201c, Kunstmuseum Bayreuth, Bayreuth, DE 2021 Prof. Shiro Yamauchi, \u201eThink Without Understanding\u201c, Bungeishunju Publishing House, October 2021, Tokyo, JP 2020 \u201eDie Kraft der Einfachheit\u201c, PEMA, Weissenstadt, DEProf. Dr. Klaus&hellip; <a class=\"more-link\" href=\"https:\/\/www.peter-weber-faltungen.de\/en\/bibliografie\/\">Continue reading <span class=\"screen-reader-text\">Bibliography<\/span><\/a><\/p>","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"class_list":["post-215","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/www.peter-weber-faltungen.de\/en\/wp-json\/wp\/v2\/pages\/215","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.peter-weber-faltungen.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.peter-weber-faltungen.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.peter-weber-faltungen.de\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.peter-weber-faltungen.de\/en\/wp-json\/wp\/v2\/comments?post=215"}],"version-history":[{"count":41,"href":"https:\/\/www.peter-weber-faltungen.de\/en\/wp-json\/wp\/v2\/pages\/215\/revisions"}],"predecessor-version":[{"id":726,"href":"https:\/\/www.peter-weber-faltungen.de\/en\/wp-json\/wp\/v2\/pages\/215\/revisions\/726"}],"wp:attachment":[{"href":"https:\/\/www.peter-weber-faltungen.de\/en\/wp-json\/wp\/v2\/media?parent=215"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}