{"id":71,"date":"2022-02-23T14:31:26","date_gmt":"2022-02-23T14:31:26","guid":{"rendered":"https:\/\/neu.peter-weber-faltungen.de\/?page_id=71"},"modified":"2025-12-11T12:59:28","modified_gmt":"2025-12-11T12:59:28","slug":"gemeinschaftsausstellungen","status":"publish","type":"page","link":"https:\/\/www.peter-weber-faltungen.de\/en\/ausstellungen\/gemeinschaftsausstellungen\/","title":{"rendered":"Group Exhibitions"},"content":{"rendered":"
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2000 – 2010<\/a><\/h5>\n<\/div>\n\n\n\n
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2010 – 2020<\/a><\/h5>\n<\/div>\n\n\n\n
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2020 - today<\/a><\/h5>\n<\/div>\n<\/div>\n\n\n\n

2025<\/h2>\n\n\n\n

Alf Lechner 100. A Homage<\/strong><\/em>, LA Projects, Landshut, DE<\/p>\n\n\n\n

Positions in Contemporary Sculpture II - Technique<\/strong>, Galerie <\/em>Nanna Preu\u00dfners, Hamburg, DE<\/p>\n\n\n\n

Arte En Papel<\/em><\/strong>, Galer\u00eda Marita Segovia, Madrid, ES<\/p>\n\n\n\n

The Maximilian and Agathe Weishaupt Collection. A GUEST AT KETTERER KUNST BERLIN<\/strong><\/em>, Berlin, DE<\/p>\n\n\n\n

2024<\/h2>\n\n\n\n

World of Paper 5.0<\/em><\/strong>, Galerie Renate Bender, M\u00fcnchen, DE<\/p>\n\n\n\n

Blind Date <\/em>\u2013 Die Sammlung Maximilian und Agathe Weishaupt im Dialog mit der Sammlung Liaunig<\/strong>, Museum Liaunig, Neuhaus (K\u00e4rnten), AT<\/p>\n\n\n\n

Geschnitten, gefaltet, geformt \u2013 Papier!<\/em><\/strong> Kunststation Kleinsassen, Hofbieber-Kleinsassen, DE<\/p>\n\n\n\n

Geometrie Straordinarie<\/strong><\/em>, Fondazione Marcello Morandini, Varese, IT
<\/p>\n\n\n\n

Josef B\u00f6hm Collection \u2013 exhibition in Salf\u00f6ld<\/strong>, HU<\/p>\n\n\n\n

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2023<\/h2>\n\n\n\n

Energie \/ Energy \u2013 Works from the Schroth Collection<\/em><\/strong><\/em>
Raum Schroth, Soest, DE<\/p>\n\n\n\n

The Blue Line \u2013 Concrete Art from the Danube Region<\/strong><\/em>
Donauschw\u00e4bisches Zentralmuseum Ulm, DE<\/p>\n\n\n\n

21st Art Exhibition of the F\u00fcrstenfeldbruck District<\/em><\/strong>
Kunsthaus F\u00fcrstenfeldbruck, F\u00fcrstenfeldbruck, DE<\/p>\n\n\n\n

Between Needle, Thread, Felt and Loom. Selected Contemporary Positions in Textile Art<\/strong><\/em>
Galerie Netuschil, Darmstadt, DE<\/p>\n\n\n\n

Made of Paper<\/em><\/strong>
Museum Ritter, Waldenbuch, DE<\/p>\n\n\n\n

25. Sculpture Park<\/em><\/strong>
Kommunalen Galerie M\u00f6rfelden-Walldorf, DE<\/p>\n\n\n\n

L\u2019heure bleue<\/em><\/strong>
Radial Art Contemporain, Strasbourg, FR<\/p>\n\n\n\n

Colours<\/i><\/span> in<\/i><\/em><\/span> a Square \u2013 <\/em>Works from the Marli Hoppe-Ritter Collection<\/strong>
Museum Ritter, Waldenbuch, DE<\/p>\n\n\n\n

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2022<\/h2>\n\n\n\n

Colours<\/i><\/span> in<\/i><\/strong><\/em><\/span> a Square – Works from the Marli Hoppe-Ritter Collection<\/em><\/strong> <\/i><\/strong><\/em><\/span>
Fondazione Marcello Morandini, Varese, IT<\/p>\n\n\n\n

Art Prize 1982 \u2013 2022 <\/em><\/strong>
Kunsthaus F\u00fcrstenfeldbruck, F\u00fcrstenfeldbruck, DE<\/p>\n\n\n\n

Spatial Concept Made of Paper <\/em><\/strong>(Astrid Busch, <\/strong>Verena Freyschmidt, Angela Glajcar, Hansj\u00f6rg Schneider, Peter Weber<\/strong>)<\/em>
Gallery Nanna Preussner, Hamburg, DE<\/p>\n\n\n\n

Light - Structure - Folding <\/em><\/strong>(Violetta Elisa Seliger, Annette Sauermann, Peter Weber<\/strong>)<\/em>
gallery linde hollinger, Ladenburg, DE<\/p>\n\n\n\n

reflections of 55 years! part II + north German collection Part II<\/em><\/strong>, Gallery Renate Kammer, Hamburg, DE<\/p>\n\n\n\n

The World of Paper 4.0 \u2013 Made from and on paper<\/strong><\/em><\/strong>, Gallery Renate Bender, Munich, DE<\/p>\n\n\n\n

Rock Paper Scissors<\/em><\/strong>, Kunstverein K\u00e4rnten, Klagenfurt, AT<\/p>\n\n\n\n

Exhibition of the Winners of the Art Prize 2019<\/em><\/strong>, F\u00fcrstenfeldbruck, DE<\/p>\n\n\n\n

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2021<\/h2>\n\n\n\n

Black is Beautiful<\/em><\/strong>, Gallery Renate Bender, Munich, DE<\/p>\n\n\n\n

Summer in the City<\/em>,<\/strong> Gallery Nanna Preussner, Hamburg, DE <\/p>\n\n\n\n

Espacio Micus<\/em><\/strong>, Ibiza, ES<\/p>\n\n\n\n

Arte sobre papel<\/em>,<\/strong> Gallery Marita Segovia, Madrid, ES<\/p>\n\n\n\n

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2020<\/h2>\n\n\n\n

20 years IKKP<\/em><\/strong>, Kunsthaus Rehau, DE<\/p>\n\n\n\n

Beyond Surface<\/em><\/strong>, Liaigre Munich, DE with John Baldessari and Julio Rondo<\/p>\n\n\n\n

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2019<\/h2>\n\n\n\n

Paper Worlds 3.0<\/em><\/strong>, Gallery Renate Bender, Munich, DE<\/p>\n\n\n\n

embodying color V,<\/strong><\/em> Museum Wilhelm Morgner with room Schroth, Soest, DE<\/p>\n\n\n\n

the wise know how white is<\/strong><\/em>, Gallery Renate Bender, Munich, DE<\/p>\n\n\n\n

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2018<\/h2>\n\n\n\n

Labyrinth specifically... with byways<\/em><\/strong>, Museum in the Kulturspeicher, W\u00fcrzburg, DE<\/p>\n\n\n\n

DECADEONE. Ten years dr. julius ap, dr. julius ap,<\/strong><\/em> Berlin, DE<\/p>\n\n\n\n

The color rides at Coral Gables,<\/em><\/strong> Ninoska Huerta Gallery, Coral Gables, FL, USA<\/p>\n\n\n\n

corners and edges,<\/em><\/strong> Gallery Renate Bender, Munich, DE<\/p>\n\n\n\n

summer in the city,<\/em><\/strong> Gallery Kautsch, Michelstadt, DE<\/p>\n\n\n\n

Guest at Ketterer Kunst Berlin.<\/strong><\/em> The Museum of Concrete Art from Ingolstadt, Berlin, DE<\/p>\n\n\n\n

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2017\/18<\/h2>\n\n\n\n

From aluminum to cement - pictures, sculptures and objects,<\/strong><\/em> Museum Ritter, Waldenbuch, DE<\/p>\n\n\n\n

L'horreur du plein,<\/em><\/strong> Selma Feriani Gallery, Sidi Bou Said, TN 2017<\/p>\n\n\n\n

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2017<\/h2>\n\n\n\n

startup! Editions of contemporary concrete art by
renowned artists and emerging artists,<\/strong><\/em> Gallery Robert Drees, Hanover, DE<\/p>\n\n\n\n

Red comes before red, Museum Ritter,<\/em><\/strong> Marli Hoppe-Ritter Collection, Waldenbuch, DE<\/p>\n\n\n\n

FORMIDABLE! Selected works for enthusiasts and collectors,<\/em><\/strong> Gallery Anne Voss, Dortmund, DE<\/p>\n\n\n\n

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2016<\/h2>\n\n\n\n

THE BOX PROJECT. UNCOMMON THREADS,<\/em><\/strong> Fowler Museum, Los
Angeles, CA, USA; Racine Art Museum, Racine, WI, USA (2017); The Textile Museum at George Washington University, Washington, DC,
United States (2017\/18); Collaboration with the Lloyd Cotsen Collection, Los Angeles, CA, USA<\/p>\n\n\n\n

kids, how time flies.<\/em><\/strong> Drawing and graphics from 29 years of gallery work, Galerie Renate Bender, Munich, DE<\/p>\n\n\n\n

fifty shades of red,<\/em><\/strong> Gallery Renate Bender, Munich, DE Gallery Goller, Selb, DE<\/p>\n\n\n\n

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2015<\/h2>\n\n\n\n

BLACK ON WHITE,<\/em><\/strong> Highlights from the Maximilian and Agathe Weishaupt Collection and the Foundation for Concrete Art and Design, Museum of Concrete Art, Ingolstadt, DE<\/p>\n\n\n\n

concrete art,<\/em><\/strong> Kunstverein Bad Nauheim eV, Bad Nauheim, DE <\/p>\n\n\n\n

The art of folding. <\/em><\/strong>Buckling or showing an edge, Kunstraum Alexander B\u00fcrkle, Freiburg, DE<\/p>\n\n\n\n

WEAVES<\/em><\/strong>, New Gallery Dachau, Dachau, DE<\/p>\n\n\n\n

PLASTIC<\/em><\/strong>, Gallery Renate Bender, Munich, DE<\/p>\n\n\n\n

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2014<\/h2>\n\n\n\n

ROW \u2013 RHYTHM \u2013 SPACE, <\/em><\/strong>Art project Karlshof, Ellingen, DE<\/p>\n\n\n\n

Wiesbaden Art Summer 2014<\/strong><\/em>, art space under the Kurhaus, Wiesbaden, DE<\/p>\n\n\n\n

heavy metal?<\/em><\/strong>, Gallery Renate Bender, DE<\/p>\n\n\n\n

White inspired<\/em><\/strong>, Gallery Linde Hollinger, Ladenburg, DE<\/p>\n\n\n\n

White - Aspects of a color in modernity and the present,<\/strong><\/em> Museum in the W\u00fcrzburg Cultural Storehouse, W\u00fcrzburg, DE<\/p>\n\n\n\n

The art of folding. buckling or showing an edge,<\/strong><\/em> Museum of Concrete Art Ingolstadt, Ingolstadt, DE<\/p>\n\n\n\n

multiples. the art of editing,<\/em><\/strong> Mariette Haas Gallery, Ingolstadt, DE
private view,<\/em><\/strong> dr. Julius ap, Berlin, DE<\/p>\n\n\n\n

SEE WHITE, QuadART<\/em><\/strong> Dornbirn, Dornbirn, AT<\/p>\n\n\n\n

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2013<\/h2>\n\n\n\n

Fascinating COLOUR.<\/em><\/strong> The Renate Bender Gallery as a guest at
KUNSTHAUS F\u00fcrstenfeldbruck, F\u00fcrstenfeldbruck, DE<\/p>\n\n\n\n

Reliefs, objects and sculptures from the Marli Hoppe-Ritter Collection<\/em><\/strong>, Museum Ritter, Waldenbuch, DE<\/p>\n\n\n\n

change of sight! New looks at the collection<\/strong><\/em>, Museum of Concrete Art Ingolstadt, Ingolstadt, DE<\/p>\n\n\n\n

Faszination der Farbe<\/em>,<\/strong> Gallery Renate Bender guest at DavisKlemmGallery, Wiesbaden, DE<\/p>\n\n\n\n

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2012<\/h2>\n\n\n\n

Engineered Gray #4<\/em><\/strong>, Mies van der Rohe House, Berlin, DE <\/p>\n\n\n\n

Artists of the gallery and new discoveries,<\/strong><\/em> Gallery Linde Hollinger, Ladenburg, DE<\/p>\n\n\n\n

the small format,<\/em><\/strong> St. Johann Gallery, Saarbr\u00fccken, DE<\/p>\n\n\n\n

folding worlds<\/em><\/strong>, Gallery Renate Bender, Munich, DE<\/p>\n\n\n\n

paper and more,<\/em><\/strong> QuadrART Dornbirn, Dornbirn, AT<\/p>\n\n\n\n

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2011<\/h2>\n\n\n\n

3D reliefs, objects and sculptures from the Marli Hoppe-Ritter Collection<\/em><\/strong>, Museum Ritter, Waldenbuch, DE<\/p>\n\n\n\n

strictly geometric,<\/em><\/strong> Exhibition in the Carinthian Museum of Modern Art, Klagenfurt, AT<\/p>\n\n\n\n

paper concrete,<\/em><\/strong> St. Johann Gallery, Saarbr\u00fccken, DE<\/p>\n\n\n\n

The textile as a medium of contemporary art,<\/em><\/strong> Darmstadt Art Archive, Darmstadt, DE<\/p>\n\n\n\n

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2010<\/h2>\n\n\n\n

paper concrete,<\/em><\/strong> Gallery Ruhnke, Potsdam, DE<\/p>\n\n\n\n

mostly monochrome,<\/em><\/strong> McKenzie Fine Art Inc., New York, NY, USA<\/p>\n\n\n\n

colour, space, structure,<\/strong><\/em> Braunbehrens Gallery, Munich, DE<\/p>\n\n\n\n

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2009<\/h2>\n\n\n\n

groups of works<\/em><\/strong>, Gallery Ursula Huber, Basel, CH Conny Dietzschold Gallery, Sydney, AU<\/p>\n\n\n\n

departure<\/em><\/strong>, Ministry of Finance Schleswig Holstein, Kiel, DE<\/p>\n\n\n\n

NewWorks<\/em><\/strong>, Galerie Felchlin, with Bim Koehler, Harald Pompl, Zurich, CH <\/p>\n\n\n\n

small format art,<\/strong><\/em> Overbeck Society, L\u00fcbeck, DE <\/p>\n\n\n\n

eConna\u00eetre,<\/em><\/strong> Paksi K\u00e9pt\u00e1r, Paks, HU<\/p>\n\n\n\n

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2008<\/h2>\n\n\n\n

Homage to the Square \u2013 Works from the Marli Hoppe-Ritter Collection,<\/em><\/strong> Museum Ritter, Waldenbuch, DE<\/p>\n\n\n\n

irrelevant<\/em><\/strong>, gkg Society for Art and Design eV, Bonn, DE <\/p>\n\n\n\n

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2007\/08<\/h2>\n\n\n\n

Art will exemplify<\/strong><\/em>, Vasarely Muzeum, Budapest, HU<\/p>\n\n\n\n

BLUE<\/em><\/strong>, Kreissparkasse Rottweil, DE<\/p>\n\n\n\n

The light and the dark in Concrete Art,<\/em><\/strong> 15th Colloquium Forum Concrete Art Erfurt eV, Erfurt, DE<\/p>\n\n\n\n

image swap 3,<\/em><\/strong> New presentation of the Marli Hoppe-Ritter collection, Museum Ritter, Waldenbuch, DE<\/p>\n\n\n\n

Art will exemplify<\/em><\/strong> Ludwig Museum, Koblenz, DE<\/p>\n\n\n\n

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2007<\/h2>\n\n\n\n

Petersburg\u2026, annual exhibition,<\/em><\/strong> St. Johann Gallery, Saarbr\u00fccken, DE<\/p>\n\n\n\n

Paper Worlds \u2013 World of Paper,<\/strong><\/em> Gallery Renate Bender, Munich, DE<\/p>\n\n\n\n

Art will exemplify<\/em><\/strong> Wilhelm Hack Museum, Ludwigshafen, DE <\/p>\n\n\n\n

it's all in the fold - more than just origami,<\/em><\/strong> Center for Book and Paper Arts, Columbia College Chicago, Chicago, IL, USA<\/p>\n\n\n\n

CHILL<\/em><\/strong>, Margaret Thatcher Projects, New York City, NY, USA<\/p>\n\n\n\n

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2006<\/h2>\n\n\n\n

Off & On Paper,<\/em><\/strong> Papermaking Museum Laakirchen, Steyrerm\u00fchl, AT<\/p>\n\n\n\n

Wunderkammer<\/em><\/strong>, Gallery St. Johann, Saarbr\u00fccken, DE<\/p>\n\n\n\n

20 years Gallery Friege,<\/em><\/strong> Remscheid, Gallery of the City of Remscheid, DE<\/p>\n\n\n\n

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2005<\/h2>\n\n\n\n

White<\/em><\/strong>, March Galleries, Ladenburg, DE<\/p>\n\n\n\n

Charlotte Jackson Fine Art Gallery<\/em><\/strong>, Santa Fe, NM, USA <\/p>\n\n\n\n

Galerie Dietgard Wosimsky<\/em><\/strong>, Gie\u00dfen, DE<\/p>\n\n\n\n

vertical in surface and space,<\/em><\/strong> Art Association Willigrad e. V., L\u00fcbsdorf, DE<\/p>\n\n\n\n

Max Bill has new neighbors<\/strong><\/em> Peter C. Ruppert Collection \u2013 Concrete Art from Europe after 1945, Museum im Kulturspeicher, W\u00fcrzburg, DE <\/p>\n\n\n\n

concrete positions,<\/em><\/strong> Gallery Dietgard Wosimsky, Gie\u00dfen, DE<\/p>\n\n\n\n

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2004<\/h2>\n\n\n\n

multiple objects,<\/em><\/strong> St. Johann Gallery, Saarbr\u00fccken, DE<\/p>\n\n\n\n

concept '03,<\/em><\/strong> Hanse Office Brussels and State Representation of Schleswig-Holstein, Berlin, DE <\/p>\n\n\n\n

Galerie Sacksofsky & Bloch<\/em><\/strong>, Bern, CH<\/p>\n\n\n\n

Compact Constructive Concrete,<\/strong><\/em> 14th Gmundner Symposium, Gmunden, AT<\/p>\n\n\n\n

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2003<\/h2>\n\n\n\n

multiple, graphic and objects,<\/strong><\/em> St. Johann Gallery, Saarbr\u00fccken, DE<\/p>\n\n\n\n

running position<\/em><\/strong>, Gallery Uwe Sacksofsky, Heidelberg, DE Mondriaanhuis, Amersfoort, NL<\/p>\n\n\n\n

Liebig: specifically,<\/em><\/strong> Gallery Dietgard Wosimsky, Gie\u00dfen, DE<\/p>\n\n\n\n

Europe Concrete,<\/em><\/strong> Muzeum Architektury Wroclaw, PL<\/p>\n\n\n\n

North Art, Schleswig-Holstein in the 20th century<\/strong><\/em>, North Frisian Museum Husum, DE<\/p>\n\n\n\n

concrete Europe,<\/em><\/strong> VINTAGE GALLERY of the Technical University of Dresden, Dresden, DE<\/p>\n\n\n\n

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2002<\/h2>\n\n\n\n

Europe Concrete,<\/em><\/strong> Brunswiker Pavilion, Kiel, DE <\/p>\n\n\n\n

Galerie Uwe Sacksofsky<\/em><\/strong>, Heidelberg, DE <\/p>\n\n\n\n

Galerie Lindner<\/em><\/strong>, Wien, AT<\/p>\n\n\n\n

Gesellschaft f\u00fcr Kunst & Gestaltung Bonn<\/em><\/strong>, DE<\/p>\n\n\n\n

Accrochage zum 20. Produzentengalerie Kunen<\/em><\/strong>, D\u00fclmen, DE<\/p>\n\n\n\n

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2001<\/h2>\n\n\n\n

Konstruktivisten aus Schleswig-Holstein<\/em><\/strong>, Richard-Haizmann-Museum, Nieb\u00fcll, DE<\/p>\n\n\n\n

Contemporaneous<\/em><\/strong>, Kiel City Gallery, Kiel, DE<\/p>\n\n\n\n

paper=art4,<\/em><\/strong> Neuer Kunstverein Aschaffenburg, Aschaffenburg, DE<\/p>\n\n\n\n

Sculptures<\/em><\/strong>, Kunstverein Schenefeld, Schenefeld, DE<\/p>\n\n\n\n

Nordart<\/em><\/strong>, Rendsburg, DE<\/p>\n\n\n\n

Architektur und Kunst<\/strong>, Galerie Kammer, Hamburg, DE<\/p>\n\n\n\n

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2000<\/h2>\n\n\n\n

contacts with Japan,<\/em><\/strong> German-Japanese Society, Kiel, DE<\/p>\n\n\n\n

Ausstellung zum Hessentag<\/em><\/strong>, Museum Modern Art, H\u00fcnfeld, DE <\/p>\n\n\n\n

sculptures and sculptures,<\/em><\/strong> St. Johann Gallery, Saarbr\u00fccken, DE <\/p>\n\n\n\n

Color white,<\/em><\/strong> Art association Wiligrad e. V., DE<\/p>\n\n\n\n

Sculptures in the park<\/em><\/strong>, M\u00f6rfelden-Walldorf, DE<\/p>\n\n\n\n

group concrete,<\/em><\/strong> Artist Forum Bonn, DE<\/p>\n\n\n\n

10. Gmundner Symposion<\/em><\/strong>, Gmunden, AT<\/p>\n\n\n\n

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Other holdings<\/h2>\n\n\n\n

Participation in the state shows of the BBK Schleswig-Holstein 1994\/95\/97\/99\/2000\/2001\/2002\/2003\/2004\/2005\/2006\/2009\/2015<\/p>\n\n\n\n

Represented at national and international art fairs<\/p>","protected":false},"excerpt":{"rendered":"

2000 – 2010 2010 – 2020 2020 – heute 2025 Alf Lechner 100. Eine Hommage, LA Projects, Landshut, DE Positionen zeitgen\u00f6ssischer Skulptur II \u2013 Technik, Galerie Nanna Preu\u00dfners, Hamburg, DE Arte En Papel, Galer\u00eda Marita Segovia, Madrid, ES Die Sammlung Maximilian und Agathe Weishaupt. ZU GAST BEI KETTERER KUNST BERLIN, Berlin, DE 2024 Papierwelten 5.0,… Continue reading Group Exhibitions<\/span><\/a><\/p>","protected":false},"author":2,"featured_media":0,"parent":11,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"class_list":["post-71","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/www.peter-weber-faltungen.de\/en\/wp-json\/wp\/v2\/pages\/71","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.peter-weber-faltungen.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.peter-weber-faltungen.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.peter-weber-faltungen.de\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.peter-weber-faltungen.de\/en\/wp-json\/wp\/v2\/comments?post=71"}],"version-history":[{"count":58,"href":"https:\/\/www.peter-weber-faltungen.de\/en\/wp-json\/wp\/v2\/pages\/71\/revisions"}],"predecessor-version":[{"id":1119,"href":"https:\/\/www.peter-weber-faltungen.de\/en\/wp-json\/wp\/v2\/pages\/71\/revisions\/1119"}],"up":[{"embeddable":true,"href":"https:\/\/www.peter-weber-faltungen.de\/en\/wp-json\/wp\/v2\/pages\/11"}],"wp:attachment":[{"href":"https:\/\/www.peter-weber-faltungen.de\/en\/wp-json\/wp\/v2\/media?parent=71"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}